Time for our monthly meeting of the Insecure Writer's Support Group! Hosted as ever by Alex J. Cavanaugh, the aim of the group is to offer a safe space where writers can share doubts and insecurities without fear of being judged. This month's co-hosts are Beth Camp, Jean Davis, Yvonne Ventresca and PJ Colando.
Let's check out this month's IWSG question:
Since it's back to school time, let's talk English class. What's a writing rule you learned in school that messed you up as a writer?
This is a fun one, I'm sure I learned many things that haven't been applicable to my writing at all, but I do remember being told "Write what you know." Now this might be the single most overrated piece of advice of all time. I'm sure the intention behind it is well meaning, presumably to get you on your way, but it always seemed fishy to me because what I knew seemed very limited and I wanted to try and escape that. If I'd only written about what I knew, I don't think anyone would have wanted to read it. To me, it's always been more about writing what I didn't know but needed to find out, so it's a never ending learning process - and that encompasses the human condition, the whole nine yards. I'm not born with an innate knowledge bank that I can draw from ad infinitum, so the rule is fundamentally flawed to me.
In fact, I didn't start taking writing seriously until about a decade after I left school, and I wouldn't go as far as to say that was their fault, but maybe it would have been nice if I'd been pushed a bit more, with more of an exploratory mindset. But it worked out somehow.
How have things been working out in the past month? Well, I got a second job outside of the house, which was really needed for monetary reasons. It doesn't bite into my writing time but I'm trying not to let the fatigue factor become a thing. I'm still circling around edits on my recently completed first draft, but that will start very soon. I did overhaul my letter for the project I'm querying and have rebranded as adult instead of YA based on a very constructive personalised rejection. I know you shouldn't let the opinion of one agent change your whole approach, but it makes sense in a lot of ways - my protagonist is eighteen, with a job, living with a flatmate and for the most part taking on a brutal grown-up world without too many typical YA issues for the most part. I suppose there is an argument for calling it "new adult", but I'm still kind of iffy on how widely that is used as a proposition. If an agent says they specialise in that, I can always lean into it.
I think that's about it for now - really intrigued to read more answers to this month's IWSG question! To find those entries, as always, check out the list here. See you next month!
